Constance Mallinson CV
BIOGRAPHY
Born in Washington, DC.
| EDUCATION | |
| 1970 | University of Georgia, Athens, Georgia, BFA, Phi Beta Kappa |
| SOLO EXHIBITIONS | |
| 2015 | “Free Painting” The Armory Center for the Arts, Pasadena, California |
| 2012 | Culver Art Center, UC Riverside, Riverside, Ca. “Matters of Decay” |
| 2009 | Pomona College Museum of Art “Project Series” |
| 2009 | Angles Gallery, Santa Monica |
| 2002 | National Academy of Sciences, Washington, D.C. |
| 1991 | “Endless Painting,” Los Angeles Municipal Art Gallery, Los Angeles, California |
| 1988 | “Solo Exhibition,” Ace Gallery, Los Angeles, California |
| 1985 | “Solo Exhibition,” Ovsey Gallery, Los Angeles, California |
| 1983 | “Solo Exhibition,” Ovsey Gallery, Los Angeles, California |
| 1981 | “Solo Exhibition,” Ovsey Gallery, Los Angeles, California |
| 1970 | “Solo Exhibition,” Northern Virginia Fine Arts Association, Alexandria, Virginia |
| GROUP EXHIBITIONS | |
| 2015 | Sonce Alexander Gallery, Los Angeles “After Living in the Room of Realties Nouvelles” |
| 2014 | “The Wood Show” Arena One Gallery Santa Monica, curated by China Adams |
| “The Face of Portraiture” Autonomie Gallery, Los Angeles | |
| “Spirits in the Material World” Hiatus, Los Angeles | |
| Hilton Foundation (group Exhibition) Agoura, California | |
| California Lutheran University, Group Exhibition | |
| 2013 | “Dangerous Beauties” Sturrt Haaga Gallery, Descanso Gardens, Pasadena, California |
| “The Four Seasons” Heather James Gallery, Palm Desert, California | |
| “Decomposition”, Fellows of Contemporary Art, Los Angeles | |
| “Arranged Art” Hudson/Linc, Los Angeles | |
| “Small Works”, Ruth Bachofner Gallery | |
| 2012 | “The Nature of Things” Ruth Bachofner Gallery, Santa Monica |
| “True Blue” | |
| “Unnatural” Los Angeles Municipal Gallery, Los Angeles (AACA award nomination) | |
| Torrance Art Museum “To Live and Paint in L.A.” | |
| 2011 | “Second Nature” Zask Gallery, Palos Verdes, California |
| “Landscape Now”Andi Campagnone Projects, Pomona California | |
| “Urbanature” On-line Exhibition Times Quotidian.com | |
| 2010 | Raid Projects, Los Angeles, California, 3 person exhibition |
| The Grey Wall, Alias Book, Los Angeles, California | |
| 2008 | Some Paintings LA WEEKLY Biennial, Track 16 Gallery, Los Angeles |
| 2007 | “Greener” Sketching Solutions For Climate Change, Symposium and Exhibition, Venice, Ca. |
| 2007 | “Coolglobes” Exhibition – City of Chicago |
| 2006 | Torrance Art Museum “Plainer – A Contemporary Take on Landscape” |
| Los Angeles Municipal Gallery “10 Years of C.O.L.A. Artists” (Traveling) | |
| Los Angeles International Airport Exhibitions “Endless Painting” | |
| 2005 | USC Fisher Gallery, “Contemporary Soliloquies on the Natural World” |
| “In House Outside: Claremont Graduate School, Curated by David Pagel | |
| “The Poetics of Travel” LAX through Los Angeles Dept. of Cultural Affairs | |
| Claremont Graduate School, “Recent Feminist Art” | |
| 2004 | Los Angeles Municipal Gallery, “The Political Landscape” |
| 2003 | Claremont Graduate School, “Nine Artists” |
| The Art Gallery, Canoga Park, California: “Drawing A New Map” | |
| (Sept.) Rosamond Felsen “Los Angeles Pattern and Decoration” curated by Michael Duncan | |
| 2002 | Japanese American Museum, Los Angeles, California |
| C.O.L.A. 2002 recipients | |
| 2001 | A.P.E.. Gallery, Northhampton, Massachusetts |
| Chase Foundation, Los Angeles, California | |
| 2000 | Alterart, Cambridge, Massachusetts |
| Peter Blake Gallery, Laguna, Ca. “The New Landscape” | |
| 1994 | The Layered Look, Santa Monica Museum, Santa Monica, California |
| 1993 | “Group Exhibition,” Interart Gallery, New York, New York |
| Raleigh Corporation, Los Angeles, California | |
| 1990 | “Systems,” Los Angeles Municipal Art Gallery, Los Angeles, California |
| 1989 | “Ace Contemporary Exhibitions,” Ace Gallery, Los Angeles, California |
| 1988 | “Ace Contemporary Exhibitions,” Ace Gallery, Los Angeles, California |
| “California Landscape Art: Plein Air to the | |
| Present,” Downey Museum of Art, Downey, California | |
| 1987 | “A History of Women Artists in California,” Fresno Art Museum, Fresno, California |
| 1986 | “A Southern California Collection,” Cirrus Gallery, Los Angeles, California |
| “A Change of Art,” Bank of Los Angeles, Los Angeles, California | |
| 1985 | “Artpark Artists,” Buscaglia Castellani Gallery, New York, New York |
| “Group Exhibition,” Los Angeles Visual Arts, The Design Center, Los Angeles, California | |
| “Group Exhibition,” Ovsey Gallery, Los Angeles, California | |
| “Landscape Now,” University of California, San Diego, California | |
| 1984 | “American Landscape,” California State University, Los Angeles, California |
| “A Broad Spectrum,” The Design Center, Los Angeles, California | |
| “Group Exhibition,” Koplin Gallery, Los Angeles, California | |
| “Selections 1975‑1981,” Rental Gallery, Los Angeles County Museum of Art, Los Angeles, California | |
| “New American Art,” Huntington Gallery, University of Texas, Austin, Texas | |
| “Critic’s Choice,” Transamerica Building, Los Angeles, California | |
| 1983 | “Landscape,” Sander Chrichton Gallery, Seattle, Washington |
| “Attention California,” Oakland Rorick Gallery, The Oakland Museum, Oakland, San Francisco | |
| “Pattern, “I Arco Center for Visual Arts, Los Angeles, California | |
| “Downtown Los Angeles,” Palm Springs Desert Museum, Palm Springs, California | |
| 1982 | “Ten from Los Angeles,” Dongsangbang Gallery, Seoul, Korea |
| 1981 | “The Intimate Object,” Ron Salgado Gallery, Los Angeles, California |
| “Pattern Painting,” Security Pacific Bank, Los Angeles, California | |
| “Group Exhibition,” Orange County Center for Contemporary Art, Santa Ana, California | |
| “The Big Drawing Show,” Newspace Gallery, Los Angeles, California | |
| “Group Exhibition,” Japanese American Cultural Center, Los Angeles, California | |
| “Drawing, A Personal Definition,” San University, San Diego, California | |
| “Recent Work,” Los Angeles Contemporary Exhibitions, Los Angeles, California | |
| 1980 | “Five from Los Angeles,” Sparks Gallery, Denver, Colorado |
| “Group Exhibition,” Stage One Gallery, Orange, California | |
| 1979 | “Group Exhibition,” California State University, Dominquez Hills, California |
| 1977 | “Group Exhibition,” Henri Gallery, Washington, D.C. |
| “Selections from the Collection,” American Institute of Architects, Washington, D.C. | |
| 1976 | “Group Exhibition,” Washington Women’s Art Center, Washington, D.C. |
| “Group Exhibition,” Henri Gallery, Washington D.C. | |
| 1974 | “19th Area Exhibition,” Corcoran Gallery of Art, Washington, D.C. |
| “Group Exhibition,” Henri Gallery, Washington, D.C. | |
| 1971 | “Group Exhibition,” Illien Gallery, Atlanta, Georgia |
| 1970 | “Atlanta National Painting I,” Atlanta, Georgia |
| PUBLIC COLLECTIONS |
| Pomona College Museum of Art |
| San Jose Museum of Art |
| National Academy of Sciences, Washington,DC |
| BMI Software, Houston, Texas |
| Security Pacific Bank, Los Angeles, California |
| Newport Harbor Art Museum, Newport Beach, California |
| Nat West Markets, Los Angeles, California |
| Prudential Insurance Company, Los Angeles, California |
| American Golf Corporation, San Diego, California |
| Sheppard, Mullin, Richter & Hampton, Los Angeles, California |
| Los Angeles County Museum of Art, Los Angeles, California |
| Wilshire Grand Hotel, Los Angeles, California (Mural) |
| AWARDS AND GRANTS and PUBLIC ART | |
| 2013 | Expo Line 26th and Olympic Bergamot Station Installation |
| 2007 | Finalist, Metro Mural for El Monte Station |
| 2007 | Finalist, Branch Martin Luther King Branch Library, Los Angeles |
| 2007 | Coolglobe, Chicago, Illinois |
| 2001 | City of Los Angeles Artist Grant (C.O.L.A.) |
| 2001 | Finalist Santa Monica Cultural Affairs Public Art Commission |
| 2000 | Finalist King County Public Art Program, Water Control District Project |
| 1998 | Finalist California Supreme Court Mural Competition |
| 1996 | Los Angeles Metropolitan Transit Authority Red Line Poster Winner |
| 1994 | Finalist Sunland Tujunga Branch Library |
| 1986 | National Endowment for the Arts, Artist Fellowship |
| 1985 | ARTPARK Lewiston, New York, Project Artist |
| 1984 | Djerassi Foundation, Residency Award, Palo Alto, California |
|
SELECTED BIBLIOGRAPHY |
| Drohojowska, Hunter Segment of KCRW’s Art Talk, April 2012 |
| Frank, Peter “Un-Natural” Fabrik Magazine Issue 16, Spring 2012 |
| Huffington Post, Haiku Reviews, April 28, 2012 |
| Brown, Betty, “Un-Natural” ArtScene, Vol.31 No.9, May 2012 |
| Harvey,Doug “Pierre and the Lion” LA Weekly, May 20, 2010 |
| Harvey,Doug “Snips and Snails” La Weekly, Sept. 11, 2010 |
| Valencia, Rita “The Times Quotidian” Oct. 2009 |
| Ollman,Leah, “So Very Natural,Yet So Theatrical”, LA Times, Feb. 6, 2009 |
| Miles, Christopher: Constance Mallinson at Angles Gallery, LA Weekly Jan. 30, 2009 |
| Knight, Christopher : It’s Alive With Wit and Diversity, LA Times, Jan. 25, 2008 |
| Harvey, Doug, “Some Paintings” LA Weekly, Jan 11, 2008 |
| Pagel, David,Los Angeles Times, January 9,2006 “Each to Her Own Nature” |
| Los Angeles Times, April 27,2004 “Our Place in the World” |
| Los Angeles Times, June 8,2002 “Pop The Next Wave” |
| Frank, Peter LA Weekly, January 20-26,2006 “Contemporary Soliloquies on the Natural World” |
| LA Weekly, April 9,2004 “The Political Landscape” |
| Miles, Christopher “P&D in LA” Art in America Feb. 2004 |
| New American Painting,Number 31, Open Studios Press, Wellesley, 4 Massachusetts |
| Dunlap, Doree “The Golden Land” OC Weekly, March 8, 1996 |
| Frank, Peter, Artpick, L.A. Weekly, (January 19, 1995). |
| Los Angeles Times, Sunday Calendar, “Biennial LAX ’94,” (November 13, 1994). |
| Wilson, William, “Layered,” Los Angeles Times, (November 30, 1994). |
| Rhoads, Thomas, “The Layered Look: Towards An Aesthetic Of Accumulation Among 6 L.A. Artists”published by Santa Monica Museum of Art for LAX ’94. |
| Ribot Magazine, (Winter, 1993) and Spring 1995 issues |
| Gardner, Colin, “Review,” Artforum, (November, 1991). |
| Darling, Michael, “Bittersweet Constance Mallinson at L.A. Municipal Gallery,” Artweek, (October 24, 1991). |
| Knight, Christopher, “Dazzling View of the American Landscape,” L.A. Herald Examiner, (December 1, 1988). |
| Curtis, Cathy, “Review,” Los Angeles Times, (July, 1988). |
| Suggs, Don, Forehead Magazine, (Spring, 1988). |
| Marrow, Marva, Inside Los Angeles Artists, Perrigrine Books, 1988. |
| Los Angeles Artists Calendar, Foundation for Arts Resources, 1987. |
| “Los Angeles Artists,” Fine Arts and Antiques, (May, 1987). |
| Jones, Amelia, “Word Wars,” LA Weekly, (June 19, 1987). |
| “Constance Mallinson,” L.A. Style, (July, 1986). |
| Pincus, Robert, Art in America, (April, 1986). |
| Lab, Walter and David French, “I’d Like to Save You the Trouble of A Journey,” Element Magazine, (Winter, 1986). |
| Schipper, Merle, Artnews, (January, 1986). |
| Hugo, Joan, “A Questioning of Sources and conventions, “Artweek (November 1985). |
| “Pick of the Week,” LA Weekly, (November 17, 1985). |
| McKenna, Kristine, Los Angeles Times, (November 8, 1985). |
| Stein, Ben, “Pictures to Provoke a Thousand Questions,”L.A. Herald Examiner, (October 28, 1985). |
| Plagens, Peter, “Re Bop de Reebok in L.A.,” Art in America, (April, 1985). |
| Gardner, Colin, “Art Throughout The City,” L.A. Reader, (October 26, 1991). |
| Pincus, Robert, “Landscapes, View of Nature or History?”Los Angeles Times, (October 23, 1984). |
| Drohojowska, Hunter, “The Ultimate Ironic Time, Art’s New Order,” L.A. Weekly, (December 30, 1983). |
| Ewing, Robert,.”Cumulative Landscapes,” Artweek, (December17, 1983). |
| Delgado, Michael, “Pick of the Week,” L.A. Weekly, (December 9, 1983). |
| “Monuments to Art,” Weekend Update, L.A Herald Examiner, (December 2. 1983). |
| Pincus, Robert, “The Galleries, Constance Mallinson,” Los Angeles Times, (December 2, 1983). |
| Knight, Christopher, “Dazzling View of American Landscape,” L.A. Herald Examiner, (December 1, 1983). “Ten Events That Shook the Artworld,” L.A. Herald Examiner., (December 1, 1983). |
| Jan, Alfred, “Review,” Imagres and Issues, (September 1983). |
| Knight, Christopher, “Do the Pattern Painters Want To Be Decoration,Police?” L. A. Herald Examiner, (March 6, 1983). |
| Muchnic, Suzanne, “Pattern Painters Without a Pattern,” Los Angeles Times, (March 11, 1983). |
| Burstein, Joanne, “California Color,” Artweek, (April 23, 1983). |
| Hemmerdinger, William, “Review,” Images and Issues, (Winter, 1981). |
| Ewing, Robert, Artweek, (August 26, 1981). |
| Pincus, Robert, “From Pattern to Image in Paint,” Los Angeles Times, (August 26, 1981). |
| Ballatore, Sandy, “Expanding The Decorative,” Images and Issues, (Spring, 1981). |
| Washington Post Review, June 1, 1974 “Where Has All the Color Gone?” |
| Burnett, Clyde Atlanta Journal June 1971” Gallery Illien Works” |
| Forgey, Benjamin,Washington Star Review of Corcoran Exhibition, Nov. 1974 |